Canon EOS C100 Mark II
- Brand: Canon
- Product Code: EOS C100 Mark II
|Effective Pixels||3840 x 2160 pixels; Approx. 8.29 megapixels|
|Total Pixels||4206 x 2340 pixels; Approx. 9.84 megapixels|
|Sensor Size||Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 um cell pitch|
|Number of Sensors||1|
|Filter||RGB Primary Color Filter (Bayer Array)|
|Imaging Processor||Digic DV 4|
|Interchangeable Lens System||EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.|
|Zoom/Focus Preset||Not Available|
|Shockless Zoom||Not Available|
|Digital Teleconverter||Not Available|
|ND Filter||Mechanical ND filter system with option of clear, 2, 4, and 6 stops|
Manual setting in 1/2-step increments, 1/3-step increments or fine
Push Auto Iris Control
Auto Iris Control
|Peripheral Illumination Correction||Available|
|Exposure and Metering|
Push Auto Iris Control
Auto Iris Control (STM lenses)
|Metering Modes||Available (Standard Center Weighted, Spotlight, Backlight)|
|Gain||Normal Setting -6dB to 30 dB (-6 dB to 42 dB with Sensitivity Expansion ON)|
|ISO||3200 to 80,000 in 1/3 stop increments|
|Auto Gain Control (AGC)||Not Available|
|Shockless Gain||Not Available|
|Exposure Compensation/AE Shift||Available|
3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed setting can be set in 1/2 or 1/3 stop increments
|Shutter Speed Range||
59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.51 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/4, 1/8, 1/15; CS: 29.97 Hz - 250.51 Hz2
3.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.98 Hz - 250.51 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.51 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.51 Hz
|Shutter Angle Settings||
59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
|Iris (Aperture) Range||Lens Dependent (1.0 to 91 in 1/2 or 1/3 stop increments - EF / EF-S lenses only) Canon Cinema EOS lenses are continuous manual.|
|Focus Settings||Manual, One-Shot AF, Continuous AF|
Available; AF is dependent on interchangeable lenses
(a) Dual Pixel CMOS AF (screen center)
(b) TTL-Video Signal Sensing System (contrast detection system) when Face AF is selected
|AF Modes||One-Shot AF, Continuous AF|
|Signal System||NTSC and PAL|
|Compression||MPEG-4 AVC / H.264|
|Maximum Bit rate||
AVCHD: 28 Mbps
MP4: 35 Mbps
|Recording Media||SD Card x2 (Video, Still Images (JPEG), Custom Picture Settings [20 files], Menu Settings and other settings can be recorded); SD/SDHC/SDXC Supported; MMC Cards are not supported|
|File System||FAT 32|
|Maximum Clip Number||999 (per media)|
MPEG-4 AAC-LC; 2-Channel; 16-bit; 48 kHz
35-17 Mbps: 256 kbps
Less than 4 Mbps: 128 kbps
Monaural Microphone in Camera Body
Stereo Microphone in Handle Unit
|External Audio Inputs||2 - XLR inputs (Auto and Manual level settings) External microphone terminal: (3.5 mm diameter)|
|Recording Channel Selection||
This is used to set the allocation of the audio channels:
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
|XLR Mic Trimming||Available; -12dB, -6 dB, 0dB, +6dB or +12 dB|
|Recording Level Adjustment Range||
- Infinity to +18dB, Automatic
Separate controls for internal and externally connected microphones.
|Phantom Power||Available; +48V|
|Headphone Adjustment||16 Settings; Volume is muted at lowest setting|
|Built-in Speaker||Yes; 16 level settings|
|1KHz Tone||Available; Off, -12, -18, or -20 dB|
|Features and Performance|
(1)Standard Playback: The images and sound recorded under the previously stated recording options are played back.
Fast Forward: 5x Speed>15x speed>60x speed>5x speed...
Fast Reverse: 5x speed>15x speed>60x speed>5x speed...
Frame Forward: 1-frame increments
Frame Reverse: In 0.5 second increments (1-GOP increments)
Skip Playback: The first image located according to the number of times the skip button has been pressed is output, and played back. In temporary stop mode, the display moves to the start of the clip and pauses.
Rec. Review: Rec review is executed by pressing the rec review button while in camera mode. By selecting whether the play back from the start of the last clip on the selected media or play back the last 4 seconds of that clip. When continuous recording has been performed so that the recording extends from one care onto the other, only the images on the card in the current slot are played.
Slow Playback: None
|Slow and Fast Motion Recording||
Available in MP4 Mode Only. This function achieves a fast or slow motion effect by recording at a frame rate different from the one used during playback. The following recording frame rates can be selected using the camera's video quality and frame rate settings. No sound is recorded.
59.94 Hz mode (MP4)
50.00 Hz mode (MP4)
|Special Recording Functions||Relay Recording; Double-Slot Recording; Continuous Recording|
|Photo Recording Mode||Available; Images captured to SD Card; Images can be captured in Camera and Media modes.|
Available; 5 Modes (Line/Line+Spot/Field/RGB/YPbPr)
Available; 2 Modes (Spot/Normal)
|Exposure/Focus Aids||Peaking (white, red, yellow, blue), Zebra Pattern, Magnify, Edge Monitor Focus Assist, Black and White Mode|
|Interval Record||Not Available|
|Frame Record||Not Available|
|Pre-Record||Yes, 3 seconds cache (Audio and Video)|
|Scan Reverse||Available (Horizontal, vertical or both can be selected)|
Drop Frame (DF)* or Non-Drop Frame (NDF)
*59.94(i/P>/29.97P mode in 59.94 Hz mode only
|Time Code Modes||Regen, Record Run, Free Run|
|Auto White Balance (AWB)||Available (BT.709/Wide DR)|
|White Balance Presets||AWB, Daylight (5,500 K); Tungsten (3,000K); Kelvin (5,500K default); Set A; Set B|
|Custom Functions||Available, 8 total functions|
|Custom Display||Available; Total of 33 displays including audio level and remaining battery can be turned on and off|
|Assign Buttons||17; Can be assigned functions as desired|
Available; Color bars compliant with SMPTE, ARIB
(59.94 Hz mode) & EBU/SMPTE (50.00 Hz mode)
|Minimum Subject Illumination||
59.94 Hz Mode: 0.3 Lux
(f/1.2 lens, 24 dB, PF29.27, 1/30s)
50.00 Hz Mode: 0.25 Lux
(f/1.2 lens, 24 dB, PF25.00, 1/25s)
59.94 Hz mode: F9
[1920x1080/59.94i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
50.00 Hz mode: F10
[1920x1080/50.00i, ISO 640 (0 dB), 2000 lux, reflectance ratio of 89.9%]
59.94 Hz Mode: 54db (Typical)
[1920x1080/PF29.97, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
50.00 Hz Mode: 54dB (Typical)
[1920x1080/PF25.00, Canon Log Base sensitivity ISO 850 (Dynamic Range 800%)]
During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
|Viewing Angle Adjustment||28.2-degrees|
|Diopter Adjustment Range||+2.0 to -5.5|
|EVF Adjustments||Brightness, Contrast, Color, Sharpness, and Backlight|
|Type||Rotating 3.5 inch Organiz EL (OLED) Display (1,230,000 pixels) on camera body|
|Display Adjustments||Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)|
|Time code In/Out||Yes; through HDMI (Output Only)|
|HDMI||Yes (Type A); Video and Audio Output|
|Audio Input Terminal||
2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
|Headphone Jack||Available; 3.5mm stereo mini-jack|
|Remote Terminals||Available, 2.5mm stereo mini jack|
Battery Pack: 7.4 V
DC in: 8.4V
|Battery||BP-9 Series (BP-955 Supplied)|
|Compact Power Adapter||CA-940 N (Supplied)|
|Tripod Adapter||Canon TA-100|
|Tripod Adapter Base||Canon TB-1|
|Zoom Remote Controller||Canon RC-V100|
C100 Mark II (Body plus Thumb Rest (without eyecup)):
Approx. 5.8(w) x 6.9(h) x 6.7(d) in. (147(w) x 174(h) x 169(d) mm)
C100 (Body plus Grip plus Eyecup):
Approx. 7.4(w) x 7.4(h) x 8.6(d) in. (188(w) x 189(h) x 219(d) mm)
C100 (Body plus Thumb Rest plus Handle Unit & Eyecup):
Approx. 7.4(w) x 11.0(h) x 13.1(d) in. (188w) x 280(h) x 334(d) mm)
|Main Unit Weight||TBD|
|Total Equipped Weight||
(Weight includes the Grip, hook, Handle Unit, BP-955, 2x SD Cards.)
(Weight includes the Grip, hook, BP-955, 2x SD cards.)
|Temperature and Humidity||Performance requirements: 0°C to 40°C, 85% (relative humidity)|
|Operating requirements||-5°C to 45°C, 60% (relative humidity)|
|Language Support||German, English, Spanish, French, Italian, Polish, Portuguese, Russian, simplified Chinese, Korean characters, and Japanese|
|Time and Date||Automatic Calendar range January 1st, 2014 through December 31, 2030 selectable in American, Japanese and European Date formats.|
|World Clock||World Clock support - UTC time setting: Setting range from -12:00 to +14:00|
|Cinema EOS Camera (Shown with Optional Accessories)|
Purchase an EOS C100 Mark II and a Compact-Servo 18-180MM Lens and receive a $2000.00 Instant Rebate.
Price Before Rebate: $10,724
Rebate: - $ 2,000
Price After Rebate: $ 8,724
Expires June 30, 2017
EOS C100 Mark II (Part Number: 0202C002)
Price $ 5,499.00
EOS C100 Mark II Includes: EOS C100 Mark II Body with Dual Pixel CMOS AF Feature Upgrade, Grip, Camera Cover, Handle Unit, Thumb rest, Battery Pack BP- 955, Compact Power Adapter CA-930, DC Cable for CA-930, Tripod Adapter Base TB-1, WFT Attachment, Measuring Hook, AC Cable x2, Shoulder Strap SS-1200, Data Import Utility Disk
EOS C100 MK II 24-105 Kit with Dual Pixel CMOS AF Feature Upgrade (Part Number 0298C002)
Price $ 5,999.00
Includes: EOS C100 MK II Body, EF 24–105mm f/4L IS USM, Grip, Camera Cover, Handle Unit, Thumb rest, Battery Pack BP-955, Compact Power Adapter CA-930, DC Cable for CA-930, Tripod Adapter Base TB-1, WFT Attachment, Measuring Hook, AC Cable x2, Shoulder Strap SS-1200, Data Import Utility Disk
EOS C100 MK II with Dual Pixel CMOS AF Atomos Ninja2 (Part Number 0202C013)
Price $ 5,599.00
Includes: EOS C100 MK II Body, Atomos Ninja2 Recorder, Grip, Camera Cover, Handle Unit, Thumb rest, Battery Pack BP-955, Compact Power Adapter CA-930, DC Cable for CA-930, Tripod Adapter Base TB-1, WFT Attachment, Measuring Hook, AC Cable x2, Shoulder Strap SS-1200, Data Import Utility Disk
Includes: EOS C100 Mark II Body with Dual Pixel CMOS AF Feature Upgrade, Grip, Camera Cover, Handle Unit, Thumb rest, Battery Pack BP-955, Compact Power Adapter CA-930, DC Cable for CA-930, Tripod Adapter Base TB-1, WFT Attachment, Measuring Hook, AC Cable x2, Shoulder Strap SS-1200, Data Import Utility Disk plus Sennheiser AVX-ME2 LAV Wireless Microphone, SKB Custom Case, Ronin-M
EOS C100MK II EF-S 17-55 Kit (Part Number 0202C030)
Includes: EOS C100 MK II Body, EF-S 17-55/2.8 IS U, VF Eyecup, Grip, Camera Cover, Handle Unit, Thumb rest, Battery Pack BP-955, Compact Power Adapter CA-930, DC Cable for CA-930, Tripod Adapter Base TB-1, WFT Attachment, Measuring Hook, AC Cable x2, Shoulder Strap SS-1200, Data Import Utility Disk
The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.
The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.
Canon Super 35mm CMOS Sensor
The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite ? each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range. Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.
Canon DIGIC DV 4 Image Processor
The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.
Simultaneous AVCHD and MP4 Recording
The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.
Slow and Fast Motion Recording
The EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.
This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.
Redesigned 3.5-Inch OLED Panel
1.23 Megapixel Tilting Color EVF
Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.
Dual Pixel CMOS AF
A standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.
Face AF Mode
Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.
59.94p Frame Rate
By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.
Wireless FTP Video Transfer
MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.
A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.
Built-In Canon Log LUT
Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.
Red Record Buttons
There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.
New Ergonomic Re-Design
The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.
Outstanding Low Light Sensitivity and Wide Dynamic Range
The combined performance of the camera's Canon Super 35mm CMOS sensor and DIGIC DV 4 Image Processor achieve a very high signal-to-noise ratio that enables recordings with great detail and dynamic range even in minimal light. This advanced performance yields a maximum ISO speed of 80,000 and a wide dynamic range with up to 12 stops.
Full Manual Control and Focusing Aids
Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.
Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic
The removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.
HDMI® Out with Time Code
The Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.
Canon RC-V100 Remote Controller
An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location
Canon GP-E2 EOS GPS Receiver
An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.
Shoulder Strap (SS-1200)
Battery Pack (BP-955)
Compact Power Adaptor (CA-940N) - for North America
Compact Power Adaptor (CA-941) - for other than North America
Battery Charger (CG-940)
DC Cable (for CA-930)
Data Import Utility Disc